Authenticity was not a stylistic choice here but a condition. Every protagonist and every vehicle comes from the real environment of the ACS; nothing was staged or scripted. Some interviews ran well over thirty minutes, and the edit condensed them into short portraits that still carry remarkable depth. The visual language sits deliberately between documentation and romanticisation: symmetrical compositions, long takes and precisely placed motion blur create a dreamlike, almost cinematic aesthetic that collides with the raw emotion of the cars and the Swiss landscapes around them. The result feels less like automotive advertising than like the memory of a particular encounter — nostalgic, iconic and emotionally charged at once.